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The Brélès engraved stele in the Ponant Museum of St-Renan


Dated from the Second Iron Age: between 500 and 450 BC

Visible at the Musée du Ponant in St-Renan from July 10, 2019:
Tuesday to Friday from 3pm to 6pm.
Saturday from 10am to 12pm and from 3pm to 6pm.
After August 20th the museum will be open every Saturday from 3pm to 6pm.




GPS : 48°25'56.5 N  4°37'23.9 W





   Access :
The Musée du Ponant is located in the centre of St-Renan, at 16 rue St Mathieu, at the top of the Place du Vieux Marché.
See our page onle Musée du Ponant
Groups : welcome all year round by appointment on 02 98 32 44 94
Parking: in front of the neighbouring cinema.


     The stele is visible as soon as you enter the museum. It is a trunk of a quadrangular pyramid with a height of 1.28m, carved in a fine-grained granite with two micas. With a thickness of 0.38m, it is 0.66m wide at the base and 0.35m at the top. Its sides are differently chamfered, better worked on one side than the other. The bevelled base is very short: only about twenty centimetres high. This stele has enigmatic engravings on two of its faces.

A chance discovery

   The stone was laying the engraved face against the ground and, together with another ungraved stele, constituted the threshold of the ruined lean-to of an old farm in the commune of Brélès. It was discovered in 2001 when the new owner wanted to recover the stones in order to restore a fence wall. Local historian Yves Chevillotte and departmental archaeologist Michel Le Goffic were informed and studied the engravings. This study was published in 2003 by the Société Archéologique du Finistère in Volume 131 of its Bulletin, pages 63 to 70. Thereafter, the engraved stone remained outside, exposed to the elements, and the Musée du Ponant, in order to safeguard it, acquired it in 2017. The second stele, of very classic construction, was erected by the owner along his driveway. Located inside a private property, it is not exposed to the public.

The main engraved face


The engravings only appear well in grazing light.
The upper right corner of the main face has been chipped.



A granite pedestal has been made by the museum
to hold the stone vertically and secure it
for the public.
Photos Y.L. 2019 ©


  The engravings were carved into a flat surface of the stone. The grooves, 2 cm wide, are about 3 mm deep. Their bottom is rounded in a U-shape. There are three areas :

- At the bottom left, a circle is partially cut into by the size of the bevelled stele. This circle is surmounted by four other horizontally aligned, two of which are tangent. It should be noted that those on the left have been also affected by the size of the stone.

- The central part is made up of a kind of rectangular cartouche in which six hooks have been engraved. The two long sides of the cartouche end in outwardly curved hooks. They are therefore symmetrically opposed and are connected to each other at their base by a groove supporting a triangle pointing upwards. The six hooks oppose each other two by two in an inverted position, their rounded ends pointing towards the sides of the cartouche. There is no groove to close the upper part of the cartouche.

- Above the central part has been engraved a kind of X with curved ends, which extends into two grooves, one of which touches a hook and the other goes towards the chipped angle of the stone.

The right face :

  The stele being thin, its sides are less wide than the main face. The right side of the previous one has even more enigmatic engravings.


On this face, we see that the size of the stonehas truncated the engravings at the top and at the left.
Photo Y.L. 2019 ©

  The grooves are both narrower and deeper than those on the main face. Their section is in a V-shape. They follow a slight natural crack in the stone. They form a network with irregular meshes, the edges of which would have been destroyed by a later size. Below the grooves, a large space is not engraved. Then the stone bulges slightly outwards, as if it were the beginning of a large base.
We also see that the right edge is carefully chamfered. The left one is less well worked.
The engravings on this side have not yet been explained.

The other sides

  The other two lateral faces of the stele have no ornamentation. The widest side is flat and its surface is well united. On the other side there is a natural crack in the stone and, near the base, some parallel streaks.
  The top of the stone, very flat, has not been dug.


On the yard where the stele has been firmly fixed to the stone base
its two unengraved sides were visible.
Photo Y.L. 2018 ©


An exceptional engraved stele

Marie-Yvane Daire, a researcher at the CNRS and a specialist in Armorican steles of the Iron Age, had put forward an interesting hypothesis in 2005 In her book Les stèles de l'âge du fer dans l'ouest de la Gaule p. 76 et 77 she compared the main engraving with other engravings of the same period found in France and Germany. For her, the representation is that of a chariot.


M-Y. Daire: " Les stèles de l'âge du fer dans l'ouest de la Gaule "
© Ed. Centre Régional d'Archéologie d'Alet. 2005



This is confirmed by archaeologist Michel Le Goffic : the main face undoubtedly represents a Celtic chariot. He compared this engraving with another on a rock in Valcamonica, Italy:


In Italy, in the Park of Petroglyphs of Valcamonica
engraving very similar and from the same period represents a chariot pulled by two horses



Main face of the stele.
Drawing by Michel LE GOFFIC and Yves CHEVILLOTTE. BASF volume 131, 2002


The cartouche represents the chariot body. The curved ends are those of the axles. The wheels are dismantled and shown at the rear. And we can clearly distinguish the triangle of the drawbar from the hitch. As for the hooks, they are the fasteners of the side walls.
     In this case, why represent a chariot on a stele usually used to indicate the place where a funeral urn was buried?
- Quite simply, replied the archaeologist, because in this place, as in Vix, in the Côte d'Or, there is certainly not only the urn, but also the chariot of a Celtic princely figure.


At the Châtillonnais-Trésor Museum in Vix,
a model reconstructs the chariot of the princely tomb.
Below, very enlarged, is a section of the tomb where we can see,
near the large crater and the remains of the chariot,
the dismantled wheels placed against a wall of the pit.




     The explanation is attractive. Unfortunately, as the stele has been moved for the construction of a lean-to, it's not possible to knew its original location.

To date, not a single chariot grave has been found in Brittany. Of course, this does not mean that there are none. The lecturer in ancient history Jean-Yves Eveillard thinks that in the absence of a tomb, if the stele represents a chariot, it can also simply evoke the deceased's last journey.
Only further research, such as aerial surveys using drones, may one day give us the key to the enigma.

     In the meantime, the stele of Brélès is indeed a unique monument in France. Visitors and researchers can now come and contemplate and study this engraved stone. It is no longer exposed to the elements and is permanently preserved since the collections of the Musée du Ponant are inalienable.

Yannick Loukianoff

***

READ MORE

On the ornate Armorican steles:


M-Y. Daire: " Les stèles de l'âge du fer dans l'ouest de la Gaule "
© Ed. Centre Régional d'Archéologie d'Alet. 2005



On the Park of rock engravings of Valcamonica :


Park Guide ( in Italian)


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